The Trial Film Analysis Essay Example for Free

The Trial Film Analysis Es ordinateBrief Biographical Data of Orson come upGeorge Orson well or popularly known as simply Orson Welles, was a great American director, actor, writer, get, television, stage and intercommunicate producer. He also won in the prestigious Academy Awards.Welles became famous through his piano tuner broadcasts The War of the Worlds. It called a large number of avid listeners to panic. His works such as Macbeth and the contemporary figurative rendering of Julius Caesar became legends.In 1941, Welles directed, co-wrote, starred and produced the critically acclaimed Citizen Kane. The film, according to polls of many another(prenominal) film critics, was the greatest film ever made in film hi fable. However, despite the unquestionable talents and some(prenominal) awards won, the rest of his c atomic number 18er was usually hindered by incompetent studio interference, lack of funding and other too bad happenings.However, despite these difficulties, his f ilm Othello won the Grand Prix du fiesta International du Film at the Cannes Film Festival in 1952. In addition, his Touch of Evil awarded top prize at the Brussels World fair. Anyhow, Welles considered his film Chimes at Midnight and The Trial to be his best works ever.The TrialThe Trial is a film that is even more visually extravagant than Orson Welles previous films. He used several themes, symbols and filmic devices that had make his trademarks. Depth of field photography, low-angle shooting, elaborate frame composition, visibility of constructed ceilings in the frame, attention to sound editing, expressionistic lighting, enormous statues, houses in ruins are just some on the themes and filming techniques that Welles employed.The movie opened with lively pin-screen fiction of the parable of the law of Alexander and Claire Parker. Welles dubbed the voice who also played as K.s advocate. He also dubbed all the authority figures voices. The parable is about a man who seeks adm ission to the faithfulness but rather denied by the guard and then waited until he can enter.With the film opening with the parable, it positioned the audience in an opportunity position from which to judge the characters actions since they are certainly refracted through and thus rendered meaningful illustrations of the parable. Kafkas tale absurdity is somehow interceded by the visual explanation given in advance.The film also raised but did not explore too much the most primary implication of its premise, in which sin, guilt and responsibility are not forced on any man. exhibit by the opening parable, the admittance to the law is not closed rather it is man who prevents himself from entering because of the whimsicality of sin, guilt and responsibility that conceived of closing the door.Use of Principles of Design The film opened with a parable and in this opening, Welles executed the used of the designs, such as the unity, repetition and balance very well. The simple illustr ation of the doors created unity that somehow gave a sense of harmony and unity that pulls the whole picture or story together. The principle of direction and emphasis was also used effectively because we can immediately see the focusing of a certain scene that Welles wanted us to see first.I can ordinate that what twined the different episodes is Welles vision of the different sufficetings as interconnected through a series of orphic dark passages, entrances, staircases and exits that disintegrate the distinction between the private and public spaces. Welles explained in his 1965 interview that his professional design was to have the number of realistic elements gradually diminish and the number of realistic elements gradually go until what remains open is the spaces and as though everything has dissolved.If compared to the 1993 adaptation of The Trial directed by David Hugh Jones and starred by Kyle MacLachlan, in my opinion, was beautiful and a subtle exploration of Kafkas m asterpiece nuances but still, an ordinary adaptation of the old one. Nevertheless, when it comes to the principles of design, of course, Jones adaptation give top the score. Colors, of course add spice and life to the design. The principles of design apply were definitely new and more appealing than the old version of Welles. However, Welles The Trial, has its own character and seemed to patronize the time and have an eternal presence in each scene.I can also give tongue to that it is indeed easier to do an independent film when art and designs are at stakes and better results when you are the one with full control. Despite the lack of funds because of the low commercial value, a film will be outstanding when it comes to the employment of designs, arts, and every element useful for a successful film.Welles baroques set design and intelligent use of the principles of design also enhanced the impression that the different settings served as a symbolic, nightmarish manifestations o f K.s inner turmoil and dissipate the absurdity of Kafkaesque, in which straddled the line between the abrupt and logical, the unreal and real. I can say that the film, then, is more of an allegory than a novel. Therefore, I can say that Welles was indeed successful in using the principles of design, however limited his budgets and resources were.ReferencesCharles Higham, The Films of Orson Welles, University of California Press,Berkeley, 1970.Albert Camus, Hope and the wet in the Work of Franz Kafka, The Myth of Sisyphus and Other Essays, trans. Justin OBrien, Vintage Books,New York, 1955.Principles of Designs Tips. Life Tips, 2008. http//graphicdesign.lifetips.com/cat/55144/principles-of-design/index.html. Retrieved, phratry 9, 2008.